Once upon a time Rossini frequented NYC, particularly NYCOpera. Here is an example of what used to fill the house. Although the video quality is not great, it is a valuable reminder of a glorious era. Thanks to ARS board member, Dana Pentia for this suggestion.

This is a tour de force performance of the often cut aria “Sventurata, mi credea” by the great Gianna Rolandi from the televised performance of November 6, 1980. In this production of Cinderella, it was performed in English by the New York City Opera.

After a first visit to ROF a number of years ago, Jeffrey Roberts (a long-time Rossini supporter) became a big fan of Carlo Lepore, who appears here in one of his signature roles (though not from ROF).

Roberta Pedrotti, Italian director of the online “Lape musicale”  and a knowlegble, fervent Rossini fan offered this choice along with a message (translated from Italian).

Dear Rossini friends, choosing just one piece is very difficult. Rossini is the author who changed my life, who accompanied me and resonates in my heart like no other, almost as if he were part of me. How to indicate just one piece? How to choose an aria, an opera, an overture?

I thought about how it all began and where it took me: the Sinfonia della Gazza ladra is the first piece by Rossini that I remember listening to as a child. This is a performance played at the Teatro Rossini in Pesaro with a great conductor who highlights all the refinements of the score but above all makes us understand that it is not “just” great and beautiful music, but the synthesis of a profound, dramatic work, in which we witness the condemnation to death of an innocent person and in which justice triumphs but almost by chance. An opera in which Rossini shows the horror of the world that we know well even today, but also offers us a way of salvation.
And then, my beloved companion plays here, whom I met thanks to music: how much happiness I owe to Rossini! I wish the same for you.

But if it’s not then let’s hope it’s Pizzi or someone with a similar appreciation of Rossini and the artists who perform him best. Although this clip doesn’t include Paolo Bordogna’s famous water projection, it’s still a masterful performance. Thanks to ARS advisory board member Celia Montgomery for this suggestion!

Take a tip from Rossini and do it in a delightful way!

From the memorable tribute concert for Alberto Zedda with some real Rossinians:

Cecilia Molinari – Rosina, Nicola Alaimo – Figaro, Maxim Mironov – Conte Almaviva, Carlo Lepore – Bartolo, Michele Pertusi – Basilio.