Come for the soprano, stay for the tenors!
Ermione gets a performance it deserves.
His father was a horn player which might have inspired Rossini to write this.
In Rossini’s day people often became familiar with his works through piano adaptations played in a home. Czerny arranged this masterpiece but not likely for a performance in a private home! You may spot some pianists you recognize!
Dean Murphy, the rising American star, talks with us about singing at the ROF’s Accademia Rossiana and the baritone life.
Fans of Rossini know the name Alberto Zedda. Those who are unfamiliar and interested in Rossini should find out more about the man and how much he contributed to the music world. Now there’s a website where all… Read More
The acclaimed musician shares her knowledge of the evolution of the clarinet, what’s involved in playing a historical instrument, why playing Rossini is different from other operas, and what drew her to the instrument she loves. Insightful, intelligent, and passionate!
Teatro Nuovo has quickly made a name for itself with its high-quality performances of bel canto works. Do they live up to heightened expectations with La Straniera and La Gazza Ladra? Charles Jernigan reviews.
Bruno Cagli’s impact on the Rossini Renaissance is formidable. “A fundamental figure in the rediscovery of Gioachino Rossini’s musical heritage.” Caballé thrilled opera fans for decades. The festival honors both legends this year.